Every Vocalize is a Breathing Exercise

I’ve heard from some folks that I perhaps don’t speak enough about the correct use of breath in voice lessons or on this blog, even. As one of the three systems of singing (respiration, phonation, and resonance) it is certainly necessary! But I’ll say this again- Whatever breathing skills you have employed thus far in life will do you just fine in singing. Most of us speak all day without running out of breath and Yoga instructors and deep sea divers are not necessarily incredible vocalists! When you really get to know the voice, most issues with “breath” are actually issues at the level of the vocal folds- proper phonation resists air to create a clear, strong tone. Improper phonation either presses the folds too much resulting in a squeezed sound or feeling, or keeps the folds too lax, resulting in too much air seeping through the folds and a breathy tone.

But hey, you still want to argue about the need for breathing exercises? How about this then: Every vocalize is a breathing exercise.

Think about it. Every vocalize (arpeggio or scale practiced to balance the voice, i.e. a lip trill or the word MUM on an octave and a half scale) requires that you 1. Inhale and 2. over a long or short period of time, moderately blow that air through your vocal tract while your vocal folds gently vibrate together, resulting in pitched sound. Then you do it again, and again, and again! Each vocalization tests your ability to use your air steadily and over as long a period of time as you choose. That sounds like breathing to me!

Sure, if your posture is poor and your breath shallow, things may not go well. So, in a mirror, check that you are standing up straight, chest lifted, with your chin back so that your neck is aligned with your spine. When you inhale, your abs will gently release as your lungs fill with air (as opposed to your shoulders lifting with tension), and when you sing/exhale, your abs may gently pull in. All of this should feel natural- no holding , gripping, or tension involved. After all, if standing perfectly rigid was mandatory for singing, how do Broadway ensembles sing and dance at the same time? Or how does P!nk fly around in a harness upside down and belt high F’s in her stadium tours?

Ya’ll- take a deep breath, relax, and go vocalize.

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